Maybe she should just walk. You know, to make it more natural.
(thinking and agreeing)
Yeah, what are you thinking of ?
(or: But.... what do you mean walk ?)
Frank takes a stick and start drawing on the ground, he draw a frame and Anna in it as a stick character, and an arrow to show the direction of Anna.
(drawing on the ground)
Well, here is the frame, that's Anna right here, and she could cross the frame like this.
You only drew one eye.
(pointing with his finger)
There, you drew one eye only on her.
well, that's her profile, you see ?That's her mouth right there.
Frank draw a mouth on the side of the head
And, what's the arrow for ?
the arrow ?
Yeah, the arrow there, what is it for ?
That's her direction, that's the way she goes to.
(kind of pretending he gets it)
Alex and ben still look at the drawing.
Ben et alex se rapprochent de
(getting pumped up)
Yeah, ok, you know what ? Good idea, that might work. We need to try things anyway.
(claps his hands)
Frank walk/run to Anna
That should work.
Frank s'en va vers Anna
SEQ 07 : EXT. DESERT
Frank arrives to Anna's position
Alright Anna, thank you, that was good. Now we're gonna try something a bit different. You're gonna walk from about here, to there, by the rock there you see ? OK so you start here, and you stop here, but over there. Alright ? Thank you.
Essayer ce plan aussi avec Anna qui regarde la Caméra au début, et quand la cam bouge, frank arrive de derrière. Comme si la cam était le subjectif de Frank au début.
Frank reviens vers le groupe
SEQ 08 : EXT. DESERT
Frank Comes back and Anna gets in position.
Alright, let's see. Is it rolling ?
And action Anna.
Frank rentre dans le champs
The 3 guys are looking at the combo.
Anna Crosses the frame walking.
They look a bit disappointed.
No, we're not there, I mean, it's better, definitely, but we're not there yet.